Daz 3D is part of 
Connect
DAZ Productions, Inc.
224 S 200 W, Suite #250
Salt Lake City, UT 84101
Licensing Agreement | Terms of Service | Privacy Policy | EULA
© 2024 Daz Productions Inc. All Rights Reserved.Daz 3D is part of
Connect
DAZ Productions, Inc.
224 S 200 W, Suite #250
Salt Lake City, UT 84101
Licensing Agreement | Terms of Service | Privacy Policy | EULA
© 2024 Daz Productions Inc. All Rights Reserved.
Comments
Got SSS working. On the left is basic translucence, right is with just subsurface. On the second pic, the right one has subsurface plus translucence.
Of course, no subsurface test is complete without a skin test.
Rendered at 12x12 pixel samples, so took a bit of time (roughly 9 and half minutes with UE2 IDL at 8 samples) to render.
That's an awesome example. Yes, exactly. A slider would be lovely, too!
WOW... can't wait for this to be available!
Remind me again, does UE2 play nice with AOA lights?
Depends. The Adv Spot and Point lights works OK, though I just use them as basic lights without flagging.
Using the Adv Ambient Occlusion light with UE is redundant since they both have ambient occlusion.
I assume distant works, too?
I don't generally do anything fancy with lights
I didn't test it, but there shouldn't be any problems.
HOT DAMN!!! This just made my day.
The raytraced 3delight SSS indeed is a proper raytraced subsurface scattering solution. We can now have actual blocking geometry underneath the surface affecting the material. No need to fiddle with transmission or opacity. It just works.
WOW Wowie! That's cool!
Other than SSS, what is the easiest/fastest way to get a little candling (ears, etc) on a figure?
If I use translucency, do I need to reduce Opacity? Diffuse?
Light leak with US and UE2... higher occlusion sampling or an issue with a shader setting?
So I have a new question. I made a mask, black to keep things normalized on for the rest of the surface and the white to give me a fake light source to make a "jewel" glow. What channel do I set that up in using the basic 3DL surfaces? I'm using the Skin lighting model so I have a few more channels that using that opens up. Thanks so much
Unless you're talking one specific "translucency" from pwSurface, "translucency" channels won't work for meshes with volume. They are "reverse diffuse": they pick up light from the "bad normal" side of a single-poly surface, like leaves, transmapped hair, dynamic clothing.
If you reduce opacity, it will just look weird.
The easiest way to fake "candling" (is it an "official" word? I'm curious because I'm not a native speaker) is putting diffuse textures into ambient as well and using a black ambient strength map with areas painted in grey shades where you want the fake SSS. You may or may not want to balance diffuse then. Artistic choice.
Same answer as for Tim above: ambient strength. Ambient colour is to adjust the, well, colour of the glow.
Are you sure you want the "skin" mode on the material that includes a jewel? This mode disables reflection.
Could be anything, including a bad model. Hard to say unless you provide more context.
Old school way, point light inside the model with very short falloff distance. You can use flagging or light categories too, I suppose. Translucency won't work since it's geared towards simple, infinitely thin polygons. One thing about SSS with the available shaders - backscatter is mostly influenced by direct lighting.
I'd say neither. Most of the time, it's improperly modelled props - walls with single facing normal, no thickness and lack of bevel where the planes meet. One workaround is to use an envelope on the backside to cover up intersecting parts (or the entire model). Technically you can use a geoshell for that, but that is highly dependent on the model.
More or less, the same problem with glass surfaces. Can't have physically correct output with non physical models.
The rest of the time, it's a too high shadow bias value. Use something like 0.01. UE2's default is 0.1 while DAZ default lights is 1.0.
Anyhting that glows is generally emissive so put the mask on ambient strength and set the strength to anything but zero. Also make sure the ambient color is bright enough and ambient is set to enabled. If you use UE2's IDL or bounceGI mode, it will actually cast light to the scene, depending on the total strength (strength multiplied by color) and UE2 max trace distance.
Don't put the mask in the color slot, or worse, put it in the color slot AND strength slot. Make sure the black in the mask is zero.
Eh, guess I'll just not worry about it. If I REALLY need it I'll use actual SSS.
Good to know about shadow bias.
Yea, figured it out earlier... I kinda figured it was ambient but wasn't sure how to do it up but then things started clicking and I was plenty happy with the results. I like the skin mode as it makes the skin more rich looking for characters and since this is just a diffuse map and not an actual prop I can't have one channel set to one and all the others set to another as it would reveal uv seams.
Ah, it looks like at least one problem was not upping path.
Ok, I've figured out the problem. AoA distant light does _not_ play well with UE2; it causes a huge amount of light bleed in touching surfaces.
Well, poo.
At least it's easy to switch to a regular distant light.
(I also suspect this is what was causing troubles I had with Marshian's Reflective Radiance)
I just bet it was the problem all along :)
If you were using UE2 for IDL (which you didn't mention), then yes it's very likely.
AoA's Spot and Distant trace shadows from the surface to the light (normally "delta" lights do it the other way), and the Distant uses some sort of an unconventional strategy for this. It threw 3Delight's built-in GI algorithm off as well.
Double side for non physically correct, infinitely thin plane is done. Previously it only works with diffuse, now it works with metals and glass. Roughly the same as the thin shadows / wall feature in other shaders.
I'm thinking about allowing different/separate diffuse so you can have one color/texture on one side, and another on the other side. Obviously, not applicable for glass or metals.
That would be useful for many models out there.
Is there any way in 3DL to have a ceiling light reflect in a mirror and be cast on the floor, like using the caustic sampler in IRay? Any shader/product/light/whatever?
What about this ....https://www.daz3d.com/easy-caustics
Thanks carrie58! It went into my wishlist but I'm not sure it can give me the effect I want. Seems to me you're limited to using the props/lights included in the product to get a realistic look? I'll try to dig up the read me, maybe it'll give me some clues about how to use it.
http://docs.daz3d.com/lib/exe/fetch.php/public/read_me/index/18282/18282_easy-caustics.pdf
Ok so I went through this and I don't think it can do what I want it to do, although probably usable in some random cases
. Any other suggestions for reflecting a ceiling light in a mirror to be cast on the floor? Appart from using IRay?
The only way to do caustics properly with 3DL is through photon mapping
There is a video from DAZ somewhere on Youtube to set up a "Shader Light" as well as a Camera with photon mapper with the Shader Mixer
To do what you want you also need some proper shaders but I don't think I've ever seen anybody writing these
There may be a quick way by modifiying DAZ examples.
I think the correct links are these (corrected)
Principle is following : the camera is helping to collect light information through photon mapping
Surface shaders must be "written" so as to read the lightning information
For the photon mapper tech to work, your lights must emit photon
Oh wooow, this is awesome, thank you so much for the links! Opens up a whole new world! I'm off to dig deep into this, see you in a couple of years, mate!