lilweep said:

jd641 said:

lilweep said:

i added some more dirt/grunge to the walls to try blend with floor. Not perfect.

That really looks great.

Is there any legal issue uploading a preset with those improvements for those of us who bought the one here at DAZ?

meh, doesnt really look that great.

The way that i made the scene in Daz wouldnt lend itself to being compatible with the one on the store. I was thinking i could at least  just share the grunge overlays i made, but then i remembered i split the meshes in a weird way and changed UV's so cant even share that. 

unless you used map transfer to get it to fit the original

if you owned both you could possibly create LIE material presets but a fair bit of work

(I don't own either BTW  as I considered how hard it would be for me to actually populate it and animate a game)

Hi, 

I recently started using the face transfer plugin and it is kind of working but it is making the faces mostly black. Anyone know where I even begin to fix this? I've got my output and the test image I used to generate the face.

For some context I am using a Mac and have Daz Studio working through a wine wrapper. I set it up this way as a work-around for the Big Sur compatibility issues that Daz has with Big Sur.

DAZ_sam said:

I understand the frustration when most of these issues were given to us months ago but, I promise myself and @DAZ_vish are doing our best to figure out how we can support the community here. 
I did do an update today Added an Option to choose which type of Bump you want when converting to Redshift.
Morphs should now work @scobb3_60a649a03a thanks for being patient with me :)
Also added options so you can choose which morph you want at export. Currently, there is a checkbox for the morphs you most likely want. AND JCMs, the morphs are coming in but, there will be in need of more work on the morphs but, I hope this helps out some of you :)
Lastly, I haven't tested this new update yet on Mac. Some directories changed so if someone could let me know that be awesome!
The newest update can be found here. 
https://github.com/daz3d/DazToC4D/commits/develop
 

Hey!  This is looking great!  I appreciate your hard work. It is working on my old Mac Pro(OSX10.13).. the ONLY thing I see that is still a big issue for me - the morphs are there before selecting auto IK.  After auto IK the morph tags disappear!  Any idea what would cause that?

(I've found a quick workaround.. if I copy the character before auto-IK, I can replace it after, with the original one (w morphs and expresso tag).  The only thing that's still not working after that - the eyelashes and tear shape are not following the morphs.)

I morphed bette a bit to make her more reminicent of one of her inspirations, though with a 3d model I dont think you can get her lips all the way down to her chin

Once I make sure her eyes don't completely mess up when they close I'll probably upload the morph somewhere

9 seconds.

20 - 30 characters and half a dozen morph packages.   Bog standard 650mbs SATA ssd.

Zev0 said:

It's by design. You can use any morphs but the zbrush morphs need to be moved. Promo 2 shows viable paths. No morph folder located in root will be picked up except for the Morphs folder and any sub folders inside there. That is the only exception outside of Actor or Pose Controls. Just move the morphs under ZBrush to the Morphs folder and they will be detected. Technically no morphs should remain in the ZBrush folder or any other folder in root. So instead of having their paths as Path:ZBrush it needs to be Path:Morphs/ZBrush. Also they need to be defined as either a shape or pose modifier.T

Thanks for the info, yeah I have to move my ZBrush morphs under the "TZO Morphs" Property group, to the People/Real world property group... I figured I needed to move the morphs but I did not know where they'd be picked up, now I know; thanks again!

EDIT: I now see my second mistake, a ZBrushed morph was in my Genesis 8.1 morphs folder and not my Genesis 8...

s_j_gregory said:

RayDAnt said:

jbowler said:

What these tests show is that some products, animations, the various converter/script products and props (weapons etc) have next to no effect on character load time.  Products that morph the characters - poses, expressions and raw morph packages as well as, curiously, wardrobe items have a significant effect on load times, but the really big issue is characters.  My "figures-in-use" set has been dervied over the last month or so by starting with no figures visible ("G8 no figures" - no figures but everything else is visible) and adding figures as I opened scenes and encountered the "you need to install this product" dialog.

In fact I have a total of 636 G8 figure products (i.e. separate DIM packages) of which 78 are in my "Genesis 8/Figures in use" content directory.  So I have only one eighth of my purchased G8 figures visible in my standard content set ("G8 figures-in-use" above).

So my current approach is to accept a 7.5x slow down and I could reduce this to a 4.2x slow down (the "G8 no figures" row) by using a scene specific set of G8 figures - only the ones I actually use in that scene.

Been following (and advocating for others to follow as well) the practice of limiting currently installed content to just core Daz Studio components, universally useful things like plugins, and stuff used in scenes/projects actively being worked upon for at least 5 years for the exact reasons your tests indicate. 

Fun fact - Daz Install Manager has functionality built into it to  enable just this sort of operation (and has had it for at least all the years I've been paying attention to such things) If you go to the DIM Install tab, hit the checkboxes next to some of the items listed and then right click anywhere, you will see that the last option available is called "Export Selected as CSV..." This allows you to preserve a list (in CSV format) of all the content packages needed to eg. load your most recently completed scene/project. Thereby freeing you to uninstall those items in DIM (to enable speedy development of the next scene/project on your docket) without having to resort to time-consuming detective work to determine which no-longer-installed  packages are needed to get that scene open once again at some later date. Just make sure to keep all your not-currently-installed DIM install zip files in your DIM downloads folder. Then right click in the "ready to Install" DIM tab, select "Select Package(s)  >  From CSV File..."  and point it towards your saved CSV ffile. You will get a recreation of those item selections (minus anything already currentlyinstalled)  ready for one-click reinstallation.

A coule of questions to confirm.  Please confirm this will work offline,  I am assuming, because the not installed content is in your downloads folder, this is the case; but, I would like to confirm because my DAZ Studio system is not usually connected. 

Yes, absolutely no internet connectivity required (just check work offline when you first start DIM.

(I think I am also assuming that DIM's Ready to Install tab reflects content in your Downloads folder not already installed.

Yes.

I've not noticed but when I uninstall content, that it is still in Downloads, does it repopulate as Ready to Install.) 

Yes, that's exactly how it works.

I also think you are saying that after you make a scene, you go to your installed content, identify everything in the scene from the installed content list (checking them off) and then export as a .csv.  I assume you are naming the .csv similarly to the scene and saving it with the scene or some other regularized location. 

Yes. I'm a digital media professional, and every project I work on eventually ends up filed away in a separate folders on a large NAS/remote site backup service(s) I have setup for just that purpose. It's the smart way to operate especially if what you make makes you money.

Then, prior to opening a scene, you go to DIM, select the Ready to Install tab, rmb click anywhere, ... select your .csv that is associated with your scene and DIM will identify anything not already installed that is used in the scene. 

Yeah, that's it exactly.

I have a lot of non-DAZ content (and have manually installed almost everything I could over the years) so anticipate that as limitation one for me.  And, I have had a number of hardware and operator meltdowns (including regular deleting the contents of the Download folder as a Disc Mgmt Strat) over the years.  I don't think my UI, with the DIM, in any way reflects what I own or where it might be; so, I anticipate this as limitation two for me.

To many a person's shock and surprise (certainly mine when I first realized this), Daz designed DIM to be completely compatible with content originating from other stores/homegrown assets. And even went through the trouble of thoroughly documenting the steps required to make a non-Daz-store native collection of content DIM friendly.

The short explanation is that your content needs to be saved in a normal .zip file with specific naming/directory tree layout convention in play (again, all explained in the documentation) and a relatively simple to generate metadata file or two in the root folder. For quite some time there has been a pigeon industry of no-frills paid/freeware apps that automate almost all of this process for you (eg. this one on the Daz store itself) maknig it virtually a breeze to make any (and I really do mean any) non-DIM native content fully compatible.

Speaking for myself, the very first thing I do after I acquire/make/etc a new set of file assets for use in Daz Studio is to generate a DIM formatted install file and keep that permanently archived in a folder along with all the other orginal attribution/documentation/content payload files belonging to the collection. Disk space is cheap. And being able to instantly call re-call up content without too much technical monkeying about is essential to having a productive creative process going.

Hi,

I'm attempting to do a face transfer, but when I load the figure textures for the  skin, the facial features I want to keep go away.  Are there face transfer tutorials other than the one morphing into a gorilla and troll? That didn't help me. I'm currently using the free version. 

When I render using the 3delight, my figure doesn't have lips. They show up as pure white. His eyes should be a darker brown, but they kinda glow wierd. When I render using the Lray everything shows up, but the skin has a redish unnatural texture to it. When I render using the viewport, the figure looks exactly the way I want it to.  So, what step am I missing to get everythng to render like I created it to be?   Are there skin textures I should be looking for? Lighting?

Why is this so important you may ask? I'm trying to render figures to use in a book of adventures I am putting together for my grandchildren. It's about their grandfather who passed away before they were born, so I need to get it as close to reality as I can. Once I get the figure completed, I'll purchase the other accessories, but if this can't be done then I'll have to go back to the drawing board, literally. I don't have the extra cash to throw into something that may not work by purchasing the Frace Transfer software at this time, but if I can get it figured out, I probably will.

Any tips. tricks or tutorials you know of would be greatly appreciated! 

Thanks in advance!

Lisa

ps, are we allowed to post pictures that show the issues?

hansolocambo said:

 the original shape belongs to

If the shape is made within Character Creator (CC3) because for some reason someone prefers to build patiently from head to toes his body shape using this app, and then the Genesis 8 wireframe is wrapped around that CC3 shape and brought as a morph into DAZ, there's 0 shape that belongs to nobody else than the one who made it. An umpteenth Genesis 8 body morph, done with ZBrush, Character Creator, or DAZ is just and umpteenth morph made by a user who owns and therefore has the right to use all those apps to reach his artistic aim. 

Whether someone makes a DAZ custom morph with ZBrush (which also provides already made human bodies that G8 could be wrapped around), CC3, Poser, etc. doesn't matter. At the end it will just be a Genesis 8 with a shape done thanks to a third party tool. If all those marvelous 3D apps available export as fbx, obj, etc. it's pretty much because developpers want to be a part of every artist's workflow. An application that would be too exclusive and would refuse to offer export formats compatible with the rest of the 3D world would be doomed to disappear.

The shape of the base mesh once customized does not "belong" to reallusion, it belongs to the artist who makes it. Reallusion did not develop a tool, 3D real-time oriented, to prevent people from using their morphs anywhere else than inside CC3. The very purpose of such human shape apps, is for people to export their custom humans and do whatever they want with them : a game, an anatomy course, a short film, a DAZ morph, anything.

There's not always a copyright on every step of our workflows ;)

It depends on how the shape is created - sculpting on the base in ZBrush or the like is fine, as is sculpting on some combination of existing morphs and using reverse deformations on import to separate out the artist's work (which si theirs for distribution as a Genesis # morph) and the other morphs (which are not and can be shared only as settings to aply the original morphs). If the CC3 character was created usign the equialent of morphs then it is derivative of those morphs and, unless the CC3 license says otherwise, is not the artist's to do with as desired.

It's by design. You can use any morphs but the zbrush morphs need to be moved. Promo 2 shows viable paths. No morph folder located in root will be picked up except for the Morphs folder and any sub folders inside there. That is the only exception outside of Actor or Pose Controls. Just move the morphs under ZBrush to the Morphs folder and they will be detected. Technically no morphs should remain in the ZBrush folder or any other folder in root. So instead of having their paths as Path:ZBrush it needs to be Path:Morphs/ZBrush. Also they need to be defined as either a shape or pose modifier.

If you go in the Blender forum, look through the show us your blender renders thread, there's lots of great stuff in there! And with every update to the Diffeomorphic tool and the Daz to Blender Bridge, it's getting better and better to the point where sometimes I transfer a character over and they look better in Blender than they did in Daz (I've found that happening the most with skins from Daz Original characters). Check out that thread, there's a lot of great stuff in it! 

RayDAnt said:

jbowler said:

What these tests show is that some products, animations, the various converter/script products and props (weapons etc) have next to no effect on character load time.  Products that morph the characters - poses, expressions and raw morph packages as well as, curiously, wardrobe items have a significant effect on load times, but the really big issue is characters.  My "figures-in-use" set has been dervied over the last month or so by starting with no figures visible ("G8 no figures" - no figures but everything else is visible) and adding figures as I opened scenes and encountered the "you need to install this product" dialog.

In fact I have a total of 636 G8 figure products (i.e. separate DIM packages) of which 78 are in my "Genesis 8/Figures in use" content directory.  So I have only one eighth of my purchased G8 figures visible in my standard content set ("G8 figures-in-use" above).

So my current approach is to accept a 7.5x slow down and I could reduce this to a 4.2x slow down (the "G8 no figures" row) by using a scene specific set of G8 figures - only the ones I actually use in that scene.

Been following (and advocating for others to follow as well) the practice of limiting currently installed content to just core Daz Studio components, universally useful things like plugins, and stuff used in scenes/projects actively being worked upon for at least 5 years for the exact reasons your tests indicate. 

Fun fact - Daz Install Manager has functionality built into it to  enable just this sort of operation (and has had it for at least all the years I've been paying attention to such things) If you go to the DIM Install tab, hit the checkboxes next to some of the items listed and then right click anywhere, you will see that the last option available is called "Export Selected as CSV..." This allows you to preserve a list (in CSV format) of all the content packages needed to eg. load your most recently completed scene/project. Thereby freeing you to uninstall those items in DIM (to enable speedy development of the next scene/project on your docket) without having to resort to time-consuming detective work to determine which no-longer-installed  packages are needed to get that scene open once again at some later date. Just make sure to keep all your not-currently-installed DIM install zip files in your DIM downloads folder. Then right click in the "ready to Install" DIM tab, select "Select Package(s)  >  From CSV File..."  and point it towards your saved CSV ffile. You will get a recreation of those item selections (minus anything already currentlyinstalled)  ready for one-click reinstallation.

A coule of questions to confirm.  Please confirm this will work offline,  I am assuming, because the not installed content is in your downloads folder, this is the case; but, I would like to confirm because my DAZ Studio system is not usually connected.  (I think I am also assuming that DIM's Ready to Install tab reflects content in your Downloads folder not already installed.  I've not noticed but when I uninstall content, that it is still in Downloads, does it repopulate as Ready to Install.)  I also think you are saying that after you make a scene, you go to your installed content, identify everything in the scene from the installed content list (checking them off) and then export as a .csv.  I assume you are naming the .csv similarly to the scene and saving it with the scene or some other regularized location.  Then, prior to opening a scene, you go to DIM, select the Ready to Install tab, rmb click anywhere, ... select your .csv that is associated with your scene and DIM will identify anything not already installed that is used in the scene. 

I have a lot of non-DAZ content (and have manually installed almost everything I could over the years) so anticipate that as limitation one for me.  And, I have had a number of hardware and operator meltdowns (including regular deleting the contents of the Download folder as a Disc Mgmt Strat) over the years.  I don't think my UI, with the DIM, in any way reflects what I own or where it might be; so, I anticipate this as limitation two for me.

Let me know if I have followed your approach correctly and if these are accurate limitations as I might attempt to implement it,  Thanks. 

Noah LGP said:

XTransfer create morphs and Character Converter create character preset.

XTransfer is perfect if you want to transfer 1 morph instead of a full character. Not all the morphs are characters (For example Shimuzu head morphs)

Character Converter also creates morphs. It puts them in the first content path it finds in data/Daz 3D/Genesis 8/Female/Morphs/... .XTransfer let's you choose what content path to use and let's you choos which morphs to convert.

 the original shape belongs to

If the shape is made within Character Creator (CC3) because for some reason someone prefers to build patiently from head to toes his body shape using this app, and then the Genesis 8 wireframe is wrapped around that CC3 shape and brought as a morph into DAZ, there's 0 shape that belongs to nobody else than the one who made it. An umpteenth Genesis 8 body morph, done with ZBrush, Character Creator, or DAZ is just and umpteenth morph made by a user who owns and therefore has the right to use all those apps to reach his artistic aim. 

Whether someone makes a DAZ custom morph with ZBrush (which also provides already made human bodies that G8 could be wrapped around), CC3, Poser, etc. doesn't matter. At the end it will just be a Genesis 8 with a shape done thanks to a third party tool. If all those marvelous 3D apps available export as fbx, obj, etc. it's pretty much because developpers want to be a part of every artist's workflow. An application that would be too exclusive and would refuse to offer export formats compatible with the rest of the 3D world would be doomed to disappear.

The shape of the base mesh once customized does not "belong" to reallusion, it belongs to the artist who makes it. Reallusion did not develop a tool, 3D real-time oriented, to prevent people from using their morphs anywhere else than inside CC3. The very purpose of such human shape apps, is for people to export their custom humans and do whatever they want with them : a game, an anatomy course, a short film, a DAZ morph, anything.

There's not always a copyright on every step of our workflows ;)

jbowler said:

What these tests show is that some products, animations, the various converter/script products and props (weapons etc) have next to no effect on character load time.  Products that morph the characters - poses, expressions and raw morph packages as well as, curiously, wardrobe items have a significant effect on load times, but the really big issue is characters.  My "figures-in-use" set has been dervied over the last month or so by starting with no figures visible ("G8 no figures" - no figures but everything else is visible) and adding figures as I opened scenes and encountered the "you need to install this product" dialog.

In fact I have a total of 636 G8 figure products (i.e. separate DIM packages) of which 78 are in my "Genesis 8/Figures in use" content directory.  So I have only one eighth of my purchased G8 figures visible in my standard content set ("G8 figures-in-use" above).

So my current approach is to accept a 7.5x slow down and I could reduce this to a 4.2x slow down (the "G8 no figures" row) by using a scene specific set of G8 figures - only the ones I actually use in that scene.

Been following (and advocating for others to follow as well) the practice of limiting currently installed content to just core Daz Studio components, universally useful things like plugins, and stuff used in scenes/projects actively being worked upon for at least 5 years for the exact reasons your tests indicate. 

Fun fact - Daz Install Manager has functionality built into it to  enable just this sort of operation (and has had it for at least all the years I've been paying attention to such things) If you go to the DIM Install tab, hit the checkboxes next to some of the items listed and then right click anywhere, you will see that the last option available is called "Export Selected as CSV..." This allows you to preserve a list (in CSV format) of all the content packages needed to eg. load your most recently completed scene/project. Thereby freeing you to uninstall those items in DIM (to enable speedy development of the next scene/project on your docket) without having to resort to time-consuming detective work to determine which no-longer-installed  packages are needed to get that scene open once again at some later date. Just make sure to keep all your not-currently-installed DIM install zip files in your DIM downloads folder. Then right click in the "ready to Install" DIM tab, select "Select Package(s)  >  From CSV File..."  and point it towards your saved CSV ffile. You will get a recreation of those item selections (minus anything already currentlyinstalled)  ready for one-click reinstallation.

Padone said:

jeff_someone said:

I can import a character with a simple dress on, merge rigs, but when I pose it, the simple dress does not deform the same way it does in Daz.

The deformations will not be the same if you don't import jcms too. Then some outfits may have custom morphs too.

steps

1. import the figure
2. merge armatures
3. import jcms
4. transfer jcms to the outfit

Thanks much, I'll give that a shot! 

lol In my previous post, I was transferring Kayla to G8M, but I was also transferring Fane too and got carried away with my result. Daz Galleries link [x].

To me, he looks like a mix of Cillian Murphy and Tom Welling. I was gonna use a different hair, but this was where I realized that the only male AprilYSH hair I have currently installed on this laptop is Orson Hair. Not that it mattered, since it actually fit whatever I was going for.

I know y'all are probably curious about how I transferred him. But what I did was using the Cross-Figure kit, I shaped G8M like G8F and exported that as an .obj file. Then, I loaded G8F and the G8F-shaped G8M .obj on G8F as if it were a bodysuit. I then dialed in Fane's head, and used the Cross-Figure kit to shape G8F like G8M. This helped masculinize the head a bit. But I used other shaping morphs I had to tweak it further. I made G8F invisible, and exported the G8M bodysuit as an .obj file. Finally, I used Morph Loader Pro and imported the male!Fane file as if it were just another head shape. With this setup, I personally don't need any converter system because I can, more or less, do it myself.

For most other "genderbends", I have enough morphs where I could just line up the models and then shape whichever one to the opposite gender version. But Fane Guy and Kayla Boy, have unique shapes, so I decided to go about it this way.

marble said:

Paintbox said:

Hey DAZ/Diffeo users, I spent quite a lot of time on this, so hopefully this will be the start of something beautiful ;-) , I am in progress of making a tutorial site. In the first installment I cover all the basics. It is written from the standpoint of the noob (which I am when it comes to Diffeomorphic, haha) , so it forgoes all the technicalities of Thomas (excellent) explanations in favour of a more guided and focused approach.

You can find it here :

https://roadvsmap.neocities.org/diffeo/diffeo_mainindex.html

I am looking into what the next step will be, so input is surely welcome, my own thoughts are probably something on lighting, textures or posing. Hope there is some use for it!  I also don't mind constructive criticism, especially if my english is not clear enough.

Wow, so glad that you are taking on this task. I would echo everything that Krampus said and also Donald's comment about a nice HTML template. I might add that these are the things I find difficult to grasp and I assume that others who are not at the level of expertise of say, Padone, might find difficult.

• How to drape clothing (or is it even possible)?
• How and where to find the material surface adjustments - perhaps links to more information on how to tweak them.
• The differences between Eevee and Cycles.
• Maybe a little about viewport navigation because Blender is not like DAZ Studio. In Blender, we don't view through the camera like we do in DAZ Studio so this can be confusing to noobs (and still is for me even though I've watched the tutorials).
• How to pose. Whether to pose in DAZ Studio and import the pose (how to do that) or whether to pose in Blender. Of course, we are then back to the clothing drape issue.
• Rigging (maybe this should be at the top of the list). Differences between rig options and which is suited to which purpose.
• Morphs - I am utterly in the dark when it comes to all the different types of morph (custom, JCM, etc.) and how to import and apply them and how to manipulate the imported custom morphs (Shape Keys in Blender).
• Geografts and Geoshells - do they work? Should we merge the geometry? If so, how and what does that mean? Will the geograft morphs still work in Blender?
• Hair. A subject in itself due to all the different hair types and the fact that there are other import/conversion tools. I know nothing about hair technology.

Many of the things on that list have resulted in me abandoning all hope of ever understanding how to work with my DAZ content in Blender. I hope you have some success in simplifying the process for us.

I would also concur that many of the things on that list have tutorials online already but very few address working with imported DAZ content in mind. Thomas has done an incredible job of doing a lot of the work for us but many will not grasp how to take advantage of the tools provided.

Hi Marble, that's exactly my goal, to make DAZ content practical within Blender. On the templates, I probably move over to blogspot as well. When it comes to the tutorial I'll probably try different approaches that are goal oriented and above all be practical, or have FAQs were applicable. You make some good points to tackle! Thanks!

Paintbox said:

Hey DAZ/Diffeo users, I spent quite a lot of time on this, so hopefully this will be the start of something beautiful ;-) , I am in progress of making a tutorial site. In the first installment I cover all the basics. It is written from the standpoint of the noob (which I am when it comes to Diffeomorphic, haha) , so it forgoes all the technicalities of Thomas (excellent) explanations in favour of a more guided and focused approach.

You can find it here :

https://roadvsmap.neocities.org/diffeo/diffeo_mainindex.html

I am looking into what the next step will be, so input is surely welcome, my own thoughts are probably something on lighting, textures or posing. Hope there is some use for it!  I also don't mind constructive criticism, especially if my english is not clear enough.

Wow, so glad that you are taking on this task. I would echo everything that Krampus said and also Donald's comment about a nice HTML template. I might add that these are the things I find difficult to grasp and I assume that others who are not at the level of expertise of say, Padone, might find difficult.

• How to drape clothing (or is it even possible)?
• How and where to find the material surface adjustments - perhaps links to more information on how to tweak them.
• The differences between Eevee and Cycles.
• Maybe a little about viewport navigation because Blender is not like DAZ Studio. In Blender, we don't view through the camera like we do in DAZ Studio so this can be confusing to noobs (and still is for me even though I've watched the tutorials).
• How to pose. Whether to pose in DAZ Studio and import the pose (how to do that) or whether to pose in Blender. Of course, we are then back to the clothing drape issue.
• Rigging (maybe this should be at the top of the list). Differences between rig options and which is suited to which purpose.
• Morphs - I am utterly in the dark when it comes to all the different types of morph (custom, JCM, etc.) and how to import and apply them and how to manipulate the imported custom morphs (Shape Keys in Blender).
• Geografts and Geoshells - do they work? Should we merge the geometry? If so, how and what does that mean? Will the geograft morphs still work in Blender?
• Hair. A subject in itself due to all the different hair types and the fact that there are other import/conversion tools. I know nothing about hair technology.

Many of the things on that list have resulted in me abandoning all hope of ever understanding how to work with my DAZ content in Blender. I hope you have some success in simplifying the process for us.

I would also concur that many of the things on that list have tutorials online already but very few address working with imported DAZ content in mind. Thomas has done an incredible job of doing a lot of the work for us but many will not grasp how to take advantage of the tools provided.

Interesting results here.

I tried a scene with a G8F character, another character (G3M) and a set of props etc. and the scene took 45 seconds to load. Then I tried the base G8F alone and she loaded in less than 10 seconds.

I have a 6 core Ryzen 5 5600X with 64GB RAM and my content is stored on an SSD. 

Compared to several others in this thread, I have very few G8F characters (I count 22) but I do buy morph packs like the Zev0 sets and Muscularity morphs, Not so big on expression packs though - I like to pose the face myself.