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Comments
The above attemps to reproduce the affect haven't come to much. Which is probably an indication of the difference between amatures vs professionals. I couldn't do it either but it's nice to know that it can be done so beautifully. Something to aim fo if nothing else. Maybe some day.
there is an inbuilt filter in gimp called soft glow which will achieve the effect you can adjust brightness sharpness and radius of the glow
see my example
original
soft glow
the actual glow is probably just a narrow point light with the intensity/lumens set high
post processing in photoshop is for poser users
Rubbish.
You can do everything in post. If using Daz is fun, so is GIMP or PS. It's a step in developing your craft, like adjuting Iray settings. Learning new techniques is part of the enjoyment for me.
To quote Hamlet, the image's the thing. To catch the eye of the viewer, it's all about the image... not the tool (Daz, Poser, PS, whatever). Whatever it takes to capture the look that you need, you go do that.
2D animation is the next thing I want to do. 3D in-engine animation is a nice ideal if I had more computing power, but there are many FOSS 2D kits to play with. At the end of the day, what is better than executing on the ideas that you have in your mind?
Tried that for these two renders. It worked on the Elvis render because of the stage background was near and changed in brightness but it was not as evident for the Mary background because there was no background close enough for the brightness to affect as much.
its probably down to the simulated physic's of photon's IRAY has for lighting
Works best with images that already have some DOF and light areas behind the subject. You could do the DOF in DS or use a mask and slight blur in PS.
I just grabbed a similar stock photo to play with. This was just a low level lens flare plus a warming filter and a small bit of desat in PS.
Here's the one like the last one using the sugar skin technique. The render was more even lighting and a bit more cartoony but it works. Could add more grain if you wanted in the lens blur settings.

And here's a combo of the two techniques. Lens flare, curves, warming filter plus diffuse glow.