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Cautiously Inviting
by Jonathan Allen Cummings
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Rainbows in January
by Jonathan Allen Cummings
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Places to Remember
by Jonathan Allen Cummings
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Summer Bouquet
by Jonathan Allen Cummings
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Paying Tribute
by Jonathan Allen Cummings
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Thornton Manor
by Jonathan Allen Cummings
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What is your artistic background? Formally trained or self-taught, etc?
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Art has always been natural to me. The state of New York honored me with an award for a watercolor painting at the ripe old age of seven. But becoming famous or even making an honest living at it was another matter entirely. After spending a few years drawing everything from caricatures to serious portraits in the vain attempt to generate a respectable income, I found myself seeking a livelihood with greater stability elsewhere. Begrudgingly, I switched from wearing an artist's hat just long enough to pick up an A.S. degree in math/science physics before landing a decent job with the federal government. Ironically, though, it was my passion for things creative (in part) that allowed me to retire at a much younger age than most. The one program that made this possible was BRYCE.
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How did you get started in/introduced to 3D and Bryce?
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For the most part, it really began with morphing and photo manipulation using programs like Adobe PhotoDeluxe Home Edition of 1995 (of all things!). As I got better at it, I kept looking for ways to improve the precision of special effects. Somewhere along the way a friend introduced me to Bryce. That's when my ability to create surreal backdrops for my human subjects began to really take shape. As programs went, this was what a computer dummy like me considered relatively easy to use, and it produced stunning results quickly. I even managed to make a complete picture on day one, and what turned out to be one of my best selling pictures was actually made in less than 15 minutes. Another one of my top producers was the backdrop that was created for three little girls. I had no idea that it would go as far as it did. But it does speak volumes about the magic of using what works.
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What do you like most about Bryce?
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Bryce is going places as the technology progresses, which tells me that I'll be able to do even more than before! Other programs may specialize in various refined areas to a greater extent (depending on how you look at it), but as an overall art program, it still maintains that edge that makes it one of the most versatile user-friendly programs ever devised. I love using Zbrush, for example, but it is still no Bryce. When all is said and done, Bryce is much like what Dorothy in the Wizard of Oz kept chanting, "There's no place like home."
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Where do you get your inspiration and ideas?
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As for the art itself, the things that inspire me most are just outside my window and all around us and free for the taking, such as the great outdoors. I grew up in the country in rural upstate New York and fell in love with the Adirondack Mountains. I spent time in Canada above Toronto and had family that lived on Cape Cod in Massachusetts. I also spent many years in several parts of Arizona. All told, personal experiences and passions are directly reflected in some of the things I create now, if only to catch the mood of the moment, not necessarily to compete with Mother Nature.
The designs I make on the computer are basically an extension of what I used to do by hand, and since I managed to sell every one I ever made, I had no reason to think I couldn't continue with a tool that did an even better job. Bryce makes that easy, and I don't have to spend weeks on end to make something that I might not even like. Because of programs like this, we have the power to make more art in a few months or years than the previous generations of artists could make during a lifetime.
My favorite artists of all time are M.C. Escher and Norman Rockwell (to name two of many), although I was also inspired by a little known guy from South America (whose name escapes me at the moment) dubbing himself the World's Fastest Landscape Artist. As a kid, I marveled at his ability to use a spatula and oil paint to make a complete scene in less than three minutes. As an adult, I can see why that was just plain smart, and this explains why I still think Bryce is in a class of its own: it is smart-ware for those who know how to take advantage of it. I also think highly of Thomas Kincade for coming out of no where in 1997 (when he sold paintings from the trunk of his car) to making over $500 million (which makes him the world's richest living artist) in 2004 alone. The point is: I don't envy success, I admire it. We might not ever reach his level, but we can still have fun trying. The best part is, there's plenty of room for everybody, and programs like Bryce will give you more than a fighting chance.
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Where do you see Bryce going in the future?
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Bryce is bound to become the # 1 program of choice for beginners and professionals alike simply because it exemplifies a fundamental principle: it's about art! I honestly believe that Bryce will outlive most of its rivals because it will ultimately become the most innovative and complete digital arts package the world has ever known. When historians write about this point in time a few generations from now, they will attribute much of the huge advances in computer-generated art to Bryce as being a legendary architect and pioneer. This is only just the beginning!
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Anything else you'd like to share with us about you or your artwork?
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I've never set up a display to sell art in a public place surrounded by other artists. I use my own humble website www.shortcummings.com as a testing ground, and as a way to thank those who have obtained copies in one form or another elsewhere. Some of my older stuff is also featured on www.popularscreensavers.com and over 2,000 have been granted permission to use the art as signature tags and things of that nature, which in turn helps spread the word. Again, it is about them, not me, and that is why I plan on keeping it that way. By sharing my art with many what might have been less has really turned out to be a whole lot more.
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